In 2010, China Miéville’s Kraken served up, among many other delightfully weird story elements, a division of the London police that specialized in crimes involving the supernatural world, and in the years since reading that book I’ve noticed a few other books that place the eldritch London police procedural front and center. (Note: I’m not counting Charlie Stross’s “Laundry Files” series, because that’s more about combining supernatural horror with a particularly British type of spy thriller.) I’ve been meaning, for example, to dive into Ben Aaronovitch’s Rivers of London and its sequels for a while now, and I’m doubling down on that intention, now that I’ve recently read the two books in the series that might be its most direct competition.
Paul Cornell’s London Falling introduced readers to the “Shadow Police,” four members of the Metropolitan Police force who, while confronting the prime suspect in the murder of a local crime boss, are inadvertently gifted with “the Sight,” enabling them to see the (generally sinister) magical undercurrents of the City. The experience terrifies them more than a little, but they also recognize that, now that they know there are dark forces at work in their city, their dedication to police work calls on them to do something about it—so they decide to hang on to their newfound abilities and let London’s supernatural underworld know that they’re prepared to lay down the law. And The Severed Streets picks up the story very soon after…
Now, it happens that the initial gimmick of The Severed Streets—a series of murders that may possibly have been committed by the ghost of Jack the Ripper—has already been the central premise of Maureen Johnson’s YA paranormal thriller The Name of the Star. But Cornell takes that plot kernel and cultivates a completely different story from it, not least of all because he’s coming at it from the perspective of a native Brit for whom gritty ’70s cop shows like The Sweeney are almost certainly a formative influence, one that’s jokingly acknowledged here and there. Cornell’s novel is very much plugged into the contemporary unrest over economic inequality, and it only takes a bit of prodding on his part to create a fictional London on the brink of civil chaos that (supernatural aspects aside) feels plausible. He’s also very effective at showing how his four main characters cope with the discoveries they’re making as they probe the contours of their new territory. There’s a lot of information for them to process, as well as personal crises to work through—and Cornell manages to keep all these balls in the air while moving forward with nearly consistently effective pacing.
Also, Neil Gaiman shows up for absolutely perfect reasons, managing to make even an extended expository dialogue entertaining… although, by the time he heads offstage, you may never be able to look him in the eye should you ever meet.
29 July 2014 | read this |
As I’m writing this post, I’ve recently finished editing a Life Stories podcast featuring Rayya Elias, which we recorded shortly after her memoir Harley Loco came out in paperback. And that reminded me that I’d had this recurring thought about how I could tell you about some earlier episodes of the podcast, and how those books were out in paperback, too, and if you hadn’t read them when they first came out, here was a good opportunity.
Well, if you look at the iTunes episode list, you’ll see the podcast has been running for just about two and a half years now, so a lot of those books are in paperback now, and it didn’t seem fair to single out some at the expense of others. So I thought, okay, have any of my early guests come up with a new memoir?
One of my first conversations was with Tim Anderson, who’d written Tune In Tokyo about his time as a teacher of conversational English in Japan. His second memoir, Sweet Tooth, backtracks in time to his North Carolina adolescence, when he was simultaneously realizing that he was gay and developing the first symptoms of diabetes. As in his first book, Tim tells his story with an airy, self-deprecating humor that’s likely to draw you in pretty quickly—and you don’t need to have read Tune In Tokyo to follow along, so you can jump right in.
6 July 2014 | read this |