Read This: Kid*Lit(erary)
My friend Laurel Snyder has started up a new blog called Kid*Lit(erary), which features “micro-reviews of the very very very very very best children’s books in the world.”
“You might ask why a 32 year old (young) woman is reading children’s books,” Snyder writes in an early post. “And I could tell you that it’s because I’m a children’s author (which I am) but that would only be a partial truth. Because I’ve been reading (and re-reading) the same books for 25 years, and I’ve only been a children’s author for two of those years… But now I want NEW books, books that will live up to the standards of the books I love.” So far, she seems to be putting together an interesting mix, juxtaposing classics like The 13 Clocks with newer stories like Olivia Kidney. If you’re frequently shopping for reading material for kids—or, like Laurel, for yourself on the sly—this seems like a pretty good place to get some inspiration.
28 May 2007 | read this |
Author2Author: Mario Acevedo & Marta Acosta
It made sense for Mario Acevedo and Marta Acosta to launch a blog together last year. After all, Marta writes, when she was shopping around her debut novel, Happy Hour at Casa Dracula, “it got declined by someone who said he already had a similar project. And I was like, yeah, sure, there’s another comic Latino vampire novelist out there. Then I found out that Mario had a three-book deal for wacky Latino vampire novels. Whoda thunk?”
Since both of them have recently come out with their second novels—X-Rated Bloodsuckers for Mario, Midnight Brunch for Marta—I thought it would be a fun idea to bring them together for an Author2Author chat, even though the blog they created with fellow vampire novelist Jeanne Stein, Biting Edge has evolved into a new permutation, with Marta leaving to concentrate on a new blog called Vampire Wire. And here they are!
Mario Acevedo: Marta, you’ve written a contemporary novel about a Latina and a vampire, but what binds the story is your humor. How hard is it for you to use humor as a literary device? Are you a naturally funny person? If someone was reading your book and started laughing, what would be your reaction?
Marta Acosta: I grew up in a family with three boys, and we all told funny stories and jokes. I didn’t realize that “chicks aren’t funny” until I got older. As much as I love serious literature, I also love jokesters, from Mel Brooks to Monty Python, Richard Pryor to Dave Chappell, Will Shakespeare to P.G. Wodehouse. I will make a joke about anything, and humor is absolutely essential to the way in which I deal with the world and its attendant sorrows and tragedies. Or maybe I’m justifying my essential silliness, whatever.
I was always trying to reconcile my compulsion to make jokes with my love of good writing. I’m from the working class, and I dislike the elitism of some in the literary world who often seem more interested in internecine battling over who is the most sensitive when sleeping on 20 mattresses set atop an Oprah Book Club selection than in books themselves. I really honed my comic voice when I wasted my work time on a company e-forum. My greatest thrill was when wrote something that entertained everyone, from the young receptionists to the Ph.Ds. It was an easy step going from there to writing humorous columns in newspapers.
What I didn’t anticipate is the resistance to women as humorists. Guys are all, “Women don’t have a sense of humor. It’s chick lit crap.” So I’m all, “Yeah, we do, but our humor extends beyond the scatological, you jackass.”
24 May 2007 | author2author |

Marta Acosta: I grew up in a family with three boys, and we all told funny stories and jokes. I didn’t realize that “chicks aren’t funny” until I got older. As much as I love serious literature, I also love jokesters, from Mel Brooks to Monty Python, Richard Pryor to Dave Chappell, Will Shakespeare to P.G. Wodehouse. I will make a joke about anything, and humor is absolutely essential to the way in which I deal with the world and its attendant sorrows and tragedies. Or maybe I’m justifying my essential silliness, whatever.
Our Endless and Proper Work is my new book with Belt Publishing about starting (and sticking to) a productive writing practice. 
