I Believe I Might Have Told You So
Ron Hogan/GalleyCat
Back in 2008, there was a mystery novel called The Calling by a pseudonymous author named “Inger Wolfe,” and as often happens in such cases, a guessing game ensued. I was writing daily publishing industry news for GalleyCat at the time, and I soon determined, based on insider tips, that Michael Redhill was the most likely candidate. Of course, neither Wolfe’s publisher nor “her” agent were going to confirm that at the time.
Four and a half years later, and Wolfe (who now goes by “Inger Ash Wolfe” so as not to be confused with the Danish crime novelist Inger Wolf) has a new book out, A Door in the River—and what’s this I see in the accompanying press materials? Less than a month ago, Redhill finally outed himself:
“The idea of a pseudonym had been flitting around my brain for a long time, along with its cognate, disappearance. In the 1980s, I published some poems under a pen name in a literary magazine to see what it would feel like. It was fun. It was even a little thrilling. I’d had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I’d learned in acting school still applied. No matter what it was, you had to salt yourself into what you were making. You had to disappear into your work.”
I’m not 100% clear on why he’s pulling back the curtain, but if I’m reading the essay correctly, Redhill seems to be suggesting that, as times get leaner and the publishing and bookselling industries contract, it becomes much more difficult for an author to build upon his or her success while refusing to participate in the public sphere—that is, you can’t just send your books out into the world and hope more and more people will keep discovering them; eventually, you hit a plateau, and then you’ve got to put more effort for more success. Which, it appears, he fully intends to do: “Her series has five more books in it and I’d like them to get written. After all the pleasure Inger has given me—not to mention to her small flock of followers—I owe her that.”
9 August 2012 | uncategorized |
Beatrice #1 Is Now Available!
At the beginning of June, I mentioned that I had adjusted the Beatrice project, shifting my focus from creating an app to producing a series of enhanced ebooks to distribute through Apple’s iBookstore. The first issue is ready now, and—as promised in the Kickstarter campaign—it’s a free download, now and forever. As I say in the iBookstore description, it’s “a front-row seat to conversations with National Book Critics Circle Award winner Darin Strauss (Half A Life), Deb Olin Unferth (Revolution), and Alina Simone (You Must Go and Win),” as we discuss the art of memoir writing along with a few other aspects of the writer’s life. Each Q&A-formatted interview is accompanied by a short video extract, with something in the vicinity of ten minutes of footage overall.
(That video footage bumps up the size of the ebook file, so you’ll need to download it onto the iPad using a WiFi connection, or download it through your desktop’s iTunes if you’ve got a high-speed Internet connection that way. But it’s not really that big a deal; using the house WiFi system, I got a copy in under two minutes.)
27 June 2012 | uncategorized |