Michael Drinkard and the (Revolutionary) War at Home

I met Michael Drinkard a few weeks ago at the Old Stone House, the reconstruction of a Revolution-era home where the Battle of Brooklyn was fought in the summer of 1776. It was an apt setting for the book party (organized by his wife, fellow novelist Jill Eisenstadt) celebrating the release of Rebels, Turn Out Your Dead, Drinkard’s first novel in over a decade. It’s the story of a hemp farmer named Salt whose life is completely upended in a violent encounter with a British soldier, and it’s such a major departure from his work in the ’80s and ’90s that I had to ask how the subject matter came to him. He graciously agreed to allow me to reprint the novel’s afterword.

drinkard.jpgMy office is in the Brooklyn Navy Yard, on Wallabout Bay in the East River, just across from Manhattan. A few years ago a security guard pointed to the water and said, “That’s where the British tossed ten thousand dead Americans.” Did I know that during the Revolutionary War more people died on Brooklyn prison ships than in all the battles combined?

No, I did not.

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13 February 2006 | guest authors |

The Year That Changed Ally Carter’s Life (Except It Didn’t)

Ally Carter‘s debut novel, Cheating at Solitaire, came out last November, and she’ll tell you a little bit about her forthcoming YA novel, I’d Tell You I Love You, But Then I’d Have to Kill You, in the essay below. But as she explains, sometimes the difference even a hugely successful year makes in a writer’s life isn’t that much difference at all.

allycarter.jpgIt’s almost Valentine’s Day, or as I like to call it, National Chocolate Day (because, really, isn’t that more inclusive?), and I can’t help but think about Valentine’s Days past. Remember when we covered shoeboxes with red velvet and everyone in class got a card from everyone else? Remember when flowers poured from the principal’s office like it was the Rose Parade and the hallway was Main Street in Pasadena?

Last Valentine’s Day, I had a nice day job and a publishing deal for Cheating at Solitaire and its sequel, Learning to Play Gin. I had a big box of chocolates and the notion that 2005 was going to be a good year. But in March, things changed. In March, it became a great year. It became—in a word—significant.

That’s when my agent asked if I’d ever wanted to write a young adult novel, and even though I sometimes doubt that I ever was a young adult (those Rose Parade-like flowers weren’t flowing to me), I said yes. By April I had an idea I loved and three sample chapters. By May, I had a deal with Hyperion which was significant, or at least Publisher’s Lunch thought so—it had the requisite zeros.

I’ll never forget that phone call from my agent, especially her parting words: don’t quit your day job.

Then June came and the call from Disney and the film option and yet another warning from my agent: don’t quit your day job.

Then came a number of foreign rights deals and an audio book deal, and you guessed it, I still didn’t quit my day job.

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12 February 2006 | guest authors |

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