Nick Lantz, “Lacuna, Triptych of the Battle”

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First Panel

A confusion of soldiers—the guide counts
for us ten helmeted heads but twenty-five
boots—cramped below the castle wall.
Are they mustering for a surge or balking
just beyond the archers’ reach?

Second Panel

Ripped away, only a skirt of paint hemming
top and bottom, forty-seven boots kissing,
toe-to-toe. At the top, a ribbon of sky, a broken
spearhead hangs loose in the air, like an iron
falcon folded to drop. So rare, says the guide,
for motion to be conveyed this way.

Third Panel

An army victorious, but high on the flagpole
its standard has been pried away for its gold
enamel, so who can say which army
it is, invader or defender? The guide smiles,
points to the missing triangle. This theft
too, he says, is hundreds of years
old. This theft too is part of history.

Nick Lantz‘s debut collection of poems, We Don’t Know We Don’t Know, won the Bread Loaf Writers’ Conference Bakeless Prize; the University of Wisconsin Press will be publishing a second collection, The Lightning That Strikes the Nieghbors’ House, in April. You may recognize the title of this first book as the tail end of a famous statement by then-Secretary of Defense Donald Rumsfeld about known knowns and unknown unknowns; the collection also includes poems like “Of the Parrat and other birds that can speake.”

Lantz was also a finalist for the Anthony Hecht Poetry Prize. And he’s on Twitter, posting a new original poem every day—as he explains, “140 characters… makes for a nice formal restriction.”

7 February 2010 | poetry |

Tony Hoagland, “Field Guide”

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Once, in the cool blue middle of a lake,
up to my neck in that most precious element of all,

I found a pale-gray, curled-upwards pigeon feather
floating on the tension of the water

at the very instant when a dragonfly,
like a blue-green iridescent bobby pin,

hovered over it, then it, and rested.
That’s all.

I mention this in the same way
that I fold the corner of a page

in certain library books,
so that the reader will know

where to look for the good parts.

Unincorporated Persons in the Late Honda Dynasty is the fourth collection from Tony Hoagland. Other poems in this book include “At the Galleria Shopping Mall” (since retitled “At the Galleria”) and “Personal” (from Poetry), “Confinement” (from Slate), and “Romantic Moment,” which Hoagland read at the 2006 Dodge Poetry Festival.

“I think that I got deeper and deeper into the world of poetry simply because it was the only thing that stayed constant in my life continuously, year after year, and then decade after decade,” Hoagland told an interviewer during that same festival. “I couldn’t seem to sustain continuity in any of the other typical realms of life: in relationships, in education, and the idea of a career path was simply laughable to me. But poetry was always there, and I remained engaged in reading it… Poetry—poems themselves—became a culture for me, a culture that I carried with me.”

19 January 2010 | poetry |

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