Life Stories #11: Alyssa Harad

In this installment of Life Stories, a Beatrice podcast series of interviews with memoirists about their lives and the art of memoir writing, Alyssa Harad discusses Coming to My Senses, the story of how she developed a love for perfume in her mid-30s and the personal transformation that came with it. Interestingly, as she reveals in the interview, she didn’t set out to write a memoir at first—the original plan was that she’d be editing an anthology of some of her favorite writing from the various perfume fan blogs that fueled her own passion for scents. For various reasons, that project didn’t pan out, but the responses to her own writing in the proposal was encouraging enough that she began to tell her own story…

One of the many interesting aspects to this memoir is the education Harad goes through on her path to becoming a perfume connoisseur—it reminded me in some ways of a conversation I’d had a few years back with Barry Smith, the editor of a collection of essays about wine and philosophy. We’d talked about sense memories, and the ability to separate out multiple “notes” from a sensory experience, and the capacity of language to represent that experience and its components—all of which is relevant to our ability to describe what we experience when we smell a particular perfume. And then there’s the question of how we cultivate our ability to perceive and describe such experiences; as Harad writes, when she first started proffering scents for her husband to sample, they either smelled like vanilla (which he liked) or powder (which he didn’t). And I’ll confess that I’m not quite so much better…although, with a little help from Mrs. Beatrice, I am learning.

(Mrs. Beatrice, by the way, was very impressed with Harad’s mental catalogue of perfumes; she’d given me a few favorite notes to mention, and Harad very quickly came up with matching scents—at least one of which, when found at a store the next day, was judged as excellent indeed.)

Listen to Life Stories #11: Alyssa Harad (MP3 file); or download the file by right-clicking (Mac users, option-click).

30 July 2012 | life stories |

Life Stories #10: Cris Beam

photo: CrisBeam.com

In this installment of Life Stories, a Beatrice podcast series of interviews with memoirists about their lives and the art of memoir writing, I chat with Cris Beam, the author of Mother, Stranger, a long essay published digitally by The Atavist, which specializes in long-form narrative nonfiction. As such, some time in our conversation is spent talking about the technological innovations available to Beam in presenting her autobiographical story—from supplementary audio and video to a timeline which puts the events she writes about, after learning from a stranger about her mother’s death spurred her to revisit the memories of her childhood years, into a chronological order, allowing readers to absorb the material from another perspective.

But we also discuss things that all memoir writers have to face, such as telling the story of your relationships when the other people involved make it clear they don’t want to be included, how to communicate a memory or an experience when you don’t have the vocabulary to articulate what has happened, and the fact that finding the answers to questions about your past doesn’t always bring closure and healing…

Cris Beam is the author of Transparent, a journalistic portrait of the transgendered teens she worked with at a Los Angeles support center, and the YA novel I Am J. Her next book, Falls The Shadow: The Crisis of American Foster Care, will be published in 2013.

Listen to Life Stories #10: Cris Beam (MP3 file); or download the file by right-clicking (Mac users, option-click).

(On a technical note: This is my first “field recording” for Life Stories, in that we conducted the interview in the back corner of a downtown restaurant. I was quite pleased to learn, through trial and error, that the Audacity sound editing software was able to strip away the greater portion of the background noise, but you will still hear the occasional clang or other such noises—yet not so many, I hope, as to distract from Beam’s personal and professional revelations.)

9 July 2012 | life stories |