We Call to Your Attention
Robert Birnbaum interviews Jonathan Lethem, who calls the tendency towards lateness in the New York Times Book Review “a good thing.” He explains:
“I myself actually turned in a very late piece—I reviewed the Kafka study K by [Roberto] Calasso three or four months after it was published. It’s not a bad thing. It breaks the spell of everyone necessarily hanging on that review, at the instant of publication, to set the tone for everything else. It might free us and also free up the Times from any sense that it’s somehow in charge.”
He adds that “review” isn’t even the right word to describe those articles: “The word that the theater trade uses is the right one—notices. People were last Sunday put on notice that my new book was to be found, if they hadn’t spotted it already. That’s all that matters.”
20 October 2005 | interviews, uncategorized |
It’s Official: I’m Now a Quotable Expert
Former Amazon colleague Tim Appelo writes a piece for the Seattle Times on “disaster lit,” and includes a bit of anecdotal book reviewing from yours truly:
“Reading the paperback of Kim Stanley Robinson’s Forty Signs of Rain the week after Hurricane Katrina was eerie,” says former Amazon editor Ron Hogan. “I knew that the novel hinged upon the efforts of D.C. scientists and lobbyists to force the government’s hand on global warming issues, but I had no idea that its climax was going to be the arrival of a massive storm system which overflowed the Potomac and turned the streets of Washington into rivers. Some of Robinson’s descriptions of the storm’s impact seemed a little tame in light of what we’d just seen on TV, but other scenes—like the evacuation of the animals at the National Zoo—felt vividly authentic. I can’t wait to see how he plays out the aftermath in the upcoming sequel, Fifty Degrees Below.
“Science fiction has always had an apocalyptic streak running through it,” Hogan continues, “but there’s usually a sense that if we just listen to the scientists, everything will turn out OK. Robinson’s latest story seems to have that optimism, but there’s also a hint of fatalism, too—as if to say that things have just about hit the breaking point, and we’re going to have to start performing triage just to keep things going.”
Of course, my enthusiasm for Fifty Degrees Below is also fueled in part by an admiration for Robinson’s science fiction that goes back twenty years, when I was reading The Gold Coast as soon as I could dash off whatever little exercises my teachers were foisting on me that day.
12 October 2005 | interviews |

Our Endless and Proper Work is my new book with Belt Publishing about starting (and sticking to) a productive writing practice. 
