Kamran Pasha: A Novel About Islam with Something to Offend Everyone
Last year, first-time novelist Sherry Jones inadvertently found herself at the center of a media controversy when Ballantine Books decided to cancel its contract with her to publish The Jewel of Medina, her version of the life of Aisha, the wife of the Muslim prophet Muhammad, citing fears that releasing the book would expose the publishing company to terrorist attacks. Beaufort Books quickly stepped in to bring the novel out, and faced no violent retribution for its actions (though somebody did try to firebomb the original British publisher). Meanwhile, Kamran Pasha—a Hollywood screenwriter currently working on the NBC drama Kings—watched and waited; his own novel about Aisha, Mother of the Believers, was scheduled for publication in April 2009 and, to their credit, Atria Books never backed down from its original support for his work.
“With my own novel coming out in a few days, it is inevitable that people ask whether I am worried that the book will generate controversy,” Pasha wrote recently. “My response is that I have no doubt that the book will generate controversy and create a passionate debate among both Muslims and non-Muslims, as there are aspects of my novel that will offend people in both communities.” He elaborates upon that statement in an essay I’m happy to be able to present to you here.
Aisha—the Prophet’s youngest wife, a scholar, a politician and a military commander—is revered throughout the Islamic community. Her life single-handedly challenges the prevalent stereotype of the oppressed and submissive Muslim woman, and she remains a role model for Muslim feminists today. But in researching her story, I found intriguing accounts that are probably unknown to many Muslims, and my inclusion of such events may upset some. One thing that might startle some Muslims is my suggestion that one of the main characters, Talha, an early follower of Prophet Muhammad, was in love with Aisha, even though it was unrequited.
Talha is a revered figure in Islam, but early Muslim sources suggest that he did have feelings for Aisha, and he once even publicly suggested that he would marry her if the Prophet died or divorced her (an incident I portray in the novel). Talha’s unwavering loyalty to Aisha led to his support for her military activities, and ultimately his death on the battlefield. Being raised as a Muslim, I had never heard these accounts and was startled to find them in the early Islamic histories. Most other Muslims don’t know these stories, either, and some might be offended at their inclusion in my novel.
Some Muslims might also be shocked at my (very light) treatment of sexuality in the story. There are no graphic scenes, but there is an open discussion of sex, which is true to Islamic history. Muslim historians had no problem talking openly about sex, even the Prophet’s sex life with his wives, and there are early accounts of one of his wives even discussing the fact that she had “wet dreams”. Traditionally Muslims had a very healthy attitude toward sex, as it was considered as a normal part of daily life. In modern day, under the heavy influence of British Victorian values left over from the colonization, some Muslims might find even my light treatment of sexuality too much.
So there will be things in my book that surprise and shock some Muslims. But there are many aspects of Mother of the Believers that will startle, and perhaps anger, non-Muslims as well. The story is told from a Muslim point of view and directly addresses many of the critiques raised against Prophet Muhammad by non-Muslims. The Prophet was a compelling spiritual figure who was famed for remarkable acts of generosity and compassion, and his words still ring true with wisdom today. But he has also been maligned by Westerners for many aspects of his life.
25 March 2009 | guest authors |
William Dietrich & the Early Modern Swashbuckler
A few years back, I started reading a novel called Hadrian’s Wall by William Dietrich—I’d picked it on a whim, because it happened to come in the mail that day, and I wasn’t expecting much to start, but it turned out to be a genuinely compelling read; basically, Dietrich took the decline of the Roman Empire and bathed it in a 1950s noir atmosphere perfectly suited to the cultural decay and corruption. I was hooked by the end of the first chapter and pretty much read the thing straight through in just a day or two. Since then, Dietrich’s gone on to write a series of historical adventure-thrillers (the Hollywood pitch might go Flashman meets the Da Vinci Code) that has hit its third installment with the publication of The Dakota Cipher this week.
Napoleon’s Pyramids, the first book in the series, “was inspired by Bonaparte’s epic invasion of Egypt,” Dietrich recalled recently, introducing the essay that he’d written for Beatrice. “That episode was a clash of cultures between a European army and mysterious Muslim world, seen through the eyes of an American adventurer, Ethan Gage. The Dakota Cipher is also a time-machine trip through cultures, in which Ethan moves from the glittering chateaus of France to raw New York, a meeting with Thomas Jefferson in infant Washington, and then on to the frontier. There he brushes up against native American life and the frightening freedoms of the West.” My question: How did Dietrich hit upon this corner of history, and this hero?
In all my books I try to take my readers to a different world, be it Roman Britain, Antarctica, or the Holy Land in 1799. Ethan—a gambler, sharpshooter, treasure hunter, and romantic—is above all curious, and we see the dawn of our modern era through his wry perspective. I use humor and horror to give a rounded view of a period in which so many things began: The industrial and scientific revolutions, the conscription of whole populations in titanic wars, the birth of propaganda and the secret police, and Enlightenment ideas that inspired political change in the United States, France, and Britain.
My writing is inevitably influenced by my career as a newspaper journalist. Without quite planning to, I’ve found my heroes and heroines are usually observant adventurers thrust into new cultures and environments, which is a fair description of ambitious reporting. As a former environmental and science reporter, I also have a particular interest in how geography affects individuals and society. My books have vivid settings that characters react to.
Most important, I learned in the competitive world of journalism that if you don’t make it fun and interesting, it doesn’t get read. My novels are chock-full of love and war, treachery and triumph, twists and turns. Ethan has added a new dimension to my novels, because he has a self-deprecating sense of humor. He’s good company, which is why I keep writing books about him.
24 March 2009 | guest authors |