Read This: The Habitation of the Blessed

I have a new review in Shelf Awareness this morning, in which I wax enthusiastic over Catherynne M. Valente’s The Habitation of the Blessed, the first volume in a new trilogy called “A Dirge for Prester John,” recasting the medieval legend as a science fiction story.

“[It] begins with the “confessions” of Hiob von Luzern, a missionary and explorer who, more than 600 years after the letter’s appearance, still hopes to find John. ‘We told each other that he was as strong as a hundred men,’ Hiob writes, ‘that he drank from the Fountain of Youth, that his scepter held as jewels the petrified eyes of St. Thomas.’ Instead, Hiob finds, in a remote village, a tree that grows books, from which he is allowed to pluck three volumes. The first, The Word in the Quince, is Prester John’s own account of his strange adventures, while the next, “The Book of the Fountain, offers the counter-perspective of Hagia, a blemmyae (headless beings whose faces are found on their torsos) who eventually becomes John’s wife. Finally, The Scarlet Nursery is the memoir of Imtithal, a nursemaid who tells her young charges stories of their homeland. As with any fruit, however, the books are quick to spoil, and Hiob must rush from one volume to the next, hoping to translate and transcribe their contents before they completely deteriorate.”

You’ll notice I wrote “science fiction” and not “fantasy” just now; I originally thought this was a clear example of the latter, and I originally wrote the review with that in mind. But, after it had been submitted, Valente set me right in an essay for John Scalzi’s “The Big Idea” series: “It’s a first contact story,” she writes. “The fact is, given the story as it is, Prester John is the only human in the place, and he is king despite having no family in the kingdom and no particular reason to be king. That, friends, is a colonial story… I wanted to tell a story about a man from the West arriving on what is essentially an alien planet, with no one who looks like him, and what he is willing to do to control it, to convert it, to make it like his own land. I wanted to deal with how very much like a natural disaster the arrival of such a person would be, opening up an isolated country to the predations of a burgeoning Europe and a Church hungry for conquest. And I wanted to tell the better part of it all from the point of view of the aliens and monsters who became subsumed into Prester John’s missionary zeal, who make up the complicated folklore we mean when we say: ‘Prester John’s Kingdom.'”

Really, though, you could just flat out call this “literary fiction” and I don’t think very many people would bat an eye, at least not among sincerely thoughtful readers. I made an initial comparison to Umberto Eco’s Baudalino in the opening of the review, and I didn’t make it lightly. It’s that good, perhaps (since it’s been a few years, and my memory of Baudalino is hazy) even better.

8 November 2010 | read this |

Christian Wiman, “Small Prayer in a Hard Wind”

As through a long-abandoned half-standing house
only someone lost could find,

which, with its paneless windows and sagging crossbeams,
its hundred crevices in which a hundred creatures hoard and nest,

seems both ghost of the life that happened there
and living spirit of this wasted place,

wind seeks and sings every wound in the wood
that is open enough to receive it,

shatter me God into my thousand sounds…

Every Riven Thing is the third collection of poems by Christian Wiman, the editor of Poetry. It also includes “Five Houses Down” (The New Yorker), “Gone for the Day, She Is the Day” (The Christian Century), and “Love Is the Word” and two poems that originally appeared in The Atlantic: “From a Window.”

Wiman is also an accomplished essayist; at the American Scholar website you’ll find “Gazing Into the Abyss” and “Hive of Nerves,” and I might also recommend “Milton in Guatemala” from Ambition and Survival: Becoming a Poet.

7 November 2010 | poetry |