Read This: Medium Raw

I’m a big fan of Anthony Bourdain’s No Reservations, the Travel Channel series where he hops from one nation to the next, checking out local restaurants and regional cuisines. The longer the show’s been on, and the more places he visits, viewers have witnessed a major shift in Bourdain’s personality—or maybe it’s just that we’re seeing a side of him that Kitchen Confidential kept on the back-burner; I guess you’d have to have had spent a lot of time with him to be able to tell… Anyway, sure, he’s always going to be the abrasive, opinionated guy who just comes right out and says what he’s thinking, but in letting us tag along on his global wanderings, he’s revealed a deeply inquisitive aspect—he comes across as genuinely caring about the cultural issues that keep coming up during his travels, and though (as he points out a few times in Medium Raw, he’s no Michael Pollan or Eric Schlosser, his show has done a lot to raise awareness about the alternatives we have when it comes to dealing with our food: not just what we eat, but where it comes from, how it’s made ready to us, and so forth.

Medium Raw is a miscellany, a string of chapters held together largely on the strength of having been written by Anthony Bourdain: There’s some autobiographical confession,s there’s some reportage-based profiles of chefs Bourdain admires, there’s lists of the things he likes. And dislikes: The most passionate chapters are the ones in which he gives full vent with his frustrations about, to pick the three most prominent targets, the flat-out evilness of the American beef industry, the blissed-out hypocrisy of Alice Waters, and the douchebaggery of GQ food critic Alan Richman. (Really; the chapter is even titled “Alan Richman Is a Douchebag,” and even considering the biased perspective, it makes a strong case for its thesis.)

My gut tells me that these rants, as beautiful as they are, might not be the ideal introduction to Bourdain, that Medium Raw is ultimately for the fans who’ve been with him at least since Kitchen Confidential, and maybe even the earlier novels—which, I was delighted to hear when the deal that led to this book being published was announced, he’s going to start writing again. But if you haven’t read any of his earlier work, don’t let my fears stop you from trying Medium Raw. Heck, with a new season of No Reservations having just started last night, you could probably actually bring yourself up to speed pretty quickly…

6 July 2010 | read this |

Author2Author: Samantha Bruce-Benjamin & Brando Skyhorse

It’s not true that every editor in the publishing industry has a book in them, but it does happen, and this summer we happen to have two fine examples at hand, Brando Skyhorse‘s The Madonnas of Echo Park and Samantha Bruce-Benjamin‘s The Art of Devotion. I invited the two to ask each other about their experiences as they became published authors—they had plenty to say on the subject, so let’s get right to it…

Brando Skyhorse: Being an editor was an invaluable education in making me a better writer. Do you remember a specific instance where a particular edit offered key ideas in how to approach your own writing?

Samantha Bruce-Benjamin: There was an occasion where I found myself having to do what all editors must at one point in their careers: rewrite someone’s novel for them. Initially, I was thrilled to be asked. Then I read it.

If this particular author used the word “cried” once, then it was used 20,000,000 times—every single page of a 560-page manuscript. Also, everyone “turned,” sometimes “crying” and “turning” all at the same time:

“Give me the techno-diffuser zapper,” the bad guy cried, turning.
“No,” Agent X – the good guy – cried, turning back.
“I mean it. Give it to me now,” he cried louder.
“Will not,” Agent X turned, crying louder than him….

…You get the picture. I also imagine that you may suspect I am joking. I am not.

(more…)

5 July 2010 | author2author |