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July 22, 2004
Why, We Were Just Talking About Charles McCarry
by Ron HoganPatrick Anderson of the Dallas-Fort Worth Star-Telegram reviews Old Boys, the novel that begins with news of the death of Charles McCarry's master spy, Paul Christopher, then snowballs into a caper where jihadists who might have some stray Russian nukes and would love to get their hands on a document that could've come straight out of Irving Wallace's The Word--which just happens to have passed through the hands of Reinhard Heydrich... In lesser hands this could have been a crappy potboiler, but McCarry brings a strongly honed sensibility to the material and manages to make it all seem credible. It took me a couple dozen subway rides to get to the end, but I was always hooked. Book of Joe says, "I believe that Charles McCarry is the best American writer of spy and espionage fiction working today." With the exception of a good argument to be made for Alan Furst, I don't have much reason to doubt that assessment.
I've been a huge fan of McCarry for over 20 years (along with the early Furst). I esteem his plots and characters over all others' in the spook field and they hold their own beyond as well. This new one seems somehow less than I am used to from McCarry but it still reads well. Maybe it will gell more for me after one or more of my usual re-reads of his works, which always rewards.
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